Saturday, 12 April 2014

What goes onto the back of the book?

One of the questions that we authors often face in interviews (or wherever) is "How long have you been a writer). For me, it's quite easy to answer. I actually have the evidence. Let me explain.

I started writing books when I was about five. I know, because I still have the books. Well, when I say "books" I mean pieces of paper stapled together, but for a five year old, I reckon that totally counts as a legitimate book.

I used to write books about everything. If I spent a day out at the park, I wrote a book about it. If I went on a family outing, I wrote a book about it. Whatever happened in my life would be the inspiration for a book (to be honest, I'm not sure things are any different now).

These books were generally scrawly drawn pictures (hey, I said I was a writer - I never said I was an artist) with a minimum of text (hey, I was five years old). However, there was one thing I always put a heap of effort into. The back covers.

Then (as now) I saw the back cover of my books as a wonderful marketing opportunity (not that I knew what marketing opportunities were back then). Inspired I think by Little Golden Books, I used to draw the covers of all my other books onto each back cover. Which ultimately led to a problems.

With every book that I wrote, I had more books I had to add to the back cover. But not only that. I also had to go back to every other book I'd written so I could add my new book to their back covers. This began to get pretty time-consuming. After a while, I think I was spending significantly more time updating back covers than I was writing new books. Some of the later books were barely more than two pages in length. I'm pretty sure this is what ultimately ended my first attempt at becoming a writer.

This came back to my recently, after I put out my last novella, Scrawling. Now being so aware of the potential for marketing in a book's back matter, I spent quite a bit of time not only placing information about my other books into it but also going back to the other books to add info about Scrawling. It gave me a very strange feeling of deja-vu.

Funny how the more things change, the more things stay the same. 

2 comments:

  1. I’ve read about writers like you, the ones who start churning out books not long after they’ve learned how to write. It bothers me a little that I was never like that. I wasn’t even a voracious reader of books. So how come I ended up being a writer? What I was growing up was a collector and that’s never changed. I love sets of things—comics, bubble gum cards, records, books—anything where I could hold the entirety of whatever it was in my hands. I remember paying £2 for a copy of Spider-Woman #2 (which is really not a very good comic at all) simply so I could have the complete run (the cover price was 35¢). When I look now at the kind of writer I’ve become you can see the collector underneath everything, a need for order, to make sense out of things. Of course my own personal collection won’t be complete until I die so I won’t be able to hold it in my hands or then again maybe I might. I suppose it all depends on if I dry up before the end. I’d like to think that the poetry if nothing else will still keep dribbling out—horrible image I know—right to the end.

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    1. Hi Jim,

      I think I was a bit of a collector myself but not so much any more. Much more about quality rather than quantity for me now.

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